NCIS detective Serena Moss is called in when a mother and child are found murdered, with the older daughter missing, presumed abducted. But Moss’s assignment isn’t simply due to them being a naval family. The suspect is the victims’ husband and father, but that’s impossible. He was an astronaut on board the USS Libra, a top secret spacecraft sent into the future, and which supposedly never came back.
Moss is assigned to the case because of her own experience travelling into the future, being sent forwards to arrive at a point after uncrackable cases have been solved so that she can come back with the necessary information to do it. On one of her journeys into the future she arrived at the moment of Terminus – the end of the world. Everyone else who has seen it comes back changed by the experience, and her leg wasn’t the only thing Moss lost from her time watching humanity’s chaotic, violent end.
As she pursues the culprits across the decades – whilst still trying to keep a grip on her life in the present – she slowly starts to realise what must have happened to the Libra. She travels in time to bring back the truth, but she might not be the only one doing that, and the truths others are bringing could have devastating consequences.
This novel is a really quite ambitious genre crash of a novel. It is alternately (and then altogether) hard crime, sci fi, horror and apocalyptic fantasy. At times it reads like a Stephen King novel that has been adapted into a film with a screenplay by Quentin Tarantino but directed by Prometheus/Alien: Covenant era Ridley Scott, and then novelised back into prose by someone who secretly likes Stephen King but who still has a bit of ambition to be taken seriously by literary critics (and who is a really, really big fan of Interstellar).
And most of the time, it works. The twisting plot bends paradoxes so far the novel does start to creak a bit in the second half, before everything (and quite literally everything) comes together for a breathless conclusion. I see a movie version is in the offing, possibly directed by Neill Blomkamp, which makes me curious wondering what they will simplify – and perhaps tone down – to make it accessible and palatable enough to justify the amount it will inevitably cost.