Between the fall of the Medicis and the rise of Borgias, Florence descends into quiet anarchy, its partisan citizens bitterly divided, neighbour pitted against neighbour, as various forces try – and usually fail – to assert their dominance.
Amidst all this polite chaos, where symbols and gestures come to matter all the more, the arts flourish. Dandyish hasbeen Leonardo Da Vinci flounces around with his all-male entourage, trading off a reputation starting to fade (and being forced to accept commissions to paint women with enigmatic smiles) whilst baiting the young Michaelangelo, whose skills as a sculptor even Leonardo cannot match.
When Michaelangelo’s milk-brother (i.e. the son of his old wet nurse) Gabriele comes to Florence, bored of his bucolic lifestyle and seeking all the pleasures a virile youth can find in the city, Michaelangelo finds the young boy has grown into a young man who would make the perfect model for his statue depicting one half of the battle between Goliath and David.
Gabriele finds everything he wanted in Florence, including plenty of trouble, as tensions between republicans, pro-Medici supporters and lingering followers of the mad monk Savonarola boil over. At any other time he could hide in the crowd, but that proves a bit difficult when he has the most recognisable face in Florence.
Mary Hoffman has written such a colourful, exuberant version of the impact the Statue of David had on Florence that it’s frankly a pity the majority of it is completely made up. Despite its convincingness as a historical novel, at its heart is a timeless young adult story that revolves around Gabriele following his trousers around the widows and servant girls of Florence, and aching for a good scrap.
It may play fast and loose with what the most likely version of events (though there is the hint of a cocky challenge from Hoffman that implies it’s up to the reader to prove things didn’t happen exactly as she’s described) but the spirit of the Renaissance captured here feels very honest. The novel is a celebration of art, intellect, passion and open-mindedness over money, tribalism, superficiality and monkish attitudes.